Mississippi has long been associated with great musicians.
The list of stars who hail from the magnolia state is lengthy, and includes
those who have contributed to every form of music from country to rock and
roll, from jazz to the blues, from big band to symphonies and opera. Of all
Mississippi’s native musicians, though, few have contributed their talents in such a variety of musical forms
as Dee Barton.
Born in Houston, Mississippi, in 1937, DeWells “Dee” Barton,
Jr. moved with his family to Starkville at an early age. Barton attended school
in Starkville, where his father was the high school band director. Following in
his father’s footsteps, Barton joined the band, taking up the trombone at an early age.
Practicing hours each day, Barton was an accomplished musician in high
school and became the student band director. Significantly, he was a member of
the Mississippi Lions Club band all four years during high school, an almost unrivaled
accomplishment.
In time, Dee Barton moved to Los Angeles to pursue other opportunities, including film scores. While playing in a big band at a night club named Donte’s, Barton was introduced to Clint Eastwood. Eastwood (left, seen here with Barton) soon commissioned him to write the score for Play Misty For Me (1971), and he followed that with three more Eastwood films: High Plains Drifter (1972), Thunderbolt and Lightfoot (1974) and Every Which Way But Loose (1978). He also participated in the music for Dirty Harry (1971) and Magnum Force (1973). Barton’s association with Clint Eastwood opened the door for lots of other jobs in Hollywood, both in the film industry and in television. In addition to numerous film scores, Barton wrote for The Rockford Files, the Red Skelton Show, Ironside, Batman, The Odd Couple and Soul Train, among others, and collaborated with other well-known composers like John Williams. He also worked as a consultant for numerous artists, including Frank Sinatra, the Rolling Stones, Tony Bennett, John Lennon. Throughout his career in Hollywood, however, Barton always considered High Plains Drifter to be his best work and credited Clint Eastwood for first giving him an opportunity.
In 1973, Barton left Hollywood for Memphis, where he
became the musical director of the Media and Jingle Company. For almost twenty years, he composed music for
commercials. In 1988, he left the company to teach music seminars at various universities
in the U.S. Ten years later, Barton
moved to Brandon, Mississippi, and became a composer in residence at Jackson
State University, where he taught composition and advanced musical theory,
finally returning to his home state and his roots in education. Two years
earlier, in 1996, the Dallas Jazz Orchestra produced an album of Barton’s music.
This work was later nominated for a Grammy.
After a life in music, including marching bands, big bands, jazz, movie scores, TV themes, advertising jingles, and music education, Dee Barton died in 2001 at age 64. He is buried in the Oddfellows Cemetery in Starkville.
After a life in music, including marching bands, big bands, jazz, movie scores, TV themes, advertising jingles, and music education, Dee Barton died in 2001 at age 64. He is buried in the Oddfellows Cemetery in Starkville.
Photo and Image Sources:
(1) Barton (high school): http://www.findagrave.com
(2) Barton (college): http://mswritersandmusicians.com
(3) Stan Kenton: http://digital.library.unt.edu
(4) Album: http://www.musicstack.com
(5) Barton and Eastwood: http://theclinteastwoodarchive.blogspot.com
(6) Movie poster: http://www.sears.com
(7) Barton: http://mswritersandmusicians.com
VERY UNDERATED FILM COMPOSER AND A SHAME MORE OF HIS FILM SCORES WERE WIDELY AVAILABLE.
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